Pipeline 1: Skinning

Part 1 and 2:

Creating and adding a Skeleton with a ribbon spine was an interesting process. The ribbon spline was a process to create and as it was the first time seeing one I struggled to understand how it interacted with itself. After a while I understood it better and I now know how to use it and what controls to use while rigging it. Overall the Skeleton is a simple process to make and as such I didn't struggle to make it.

Part 3:

Block applying weights is simple process and was a good start point to understanding the weight paint tool before I had to use it in blending the weights for the skeleton.

Part 4 and 5:

Blending the weights was a long and repetitive process in a good way. Re weighting things again and again to really close in of the right weights was a enjoyable process. Mainly as I started to see the character really become mobile and become usable in animation. Weight blending the spine was a long process but it was rewarding when I finally got to see the spine move into smooth shapes and not a set of blocks.

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Major Creature 4 Texturing

Major Creature 4 Texturing The texturing process is one I enjoy and feel confident in because of this I was able to sit through the process in a few days and generate the outcome. I came back to these textures a few days later to darken the textures over all once I saw then in Arnold. I also increased the level of dirt in the textures as they looked to clean.

Major Final Submission Post

Major Final Submission Post Torran R Major Art Of by Torran Rodgers on Scribd https://torranrodgerscaa.blogspot.com/2022/05/major-reflective-statement.html

Tool Kit 2: Depth of Field

Tool Kit 2: Depth of Field This tutorial came at the perfect time for me as I was already messing around with depth of field in test scenes trying to understand it. This tutorial made it a lot clearer how to use it and how powerful it is as a system in Arnold. There is a lot of functionality in the Arnold camera and as such there is a lot of renders below to show each of the settings. First is the Filter map a system that works as a sort of vignette to the camera. A well as a load of setting to do with the shape of the blur including aperture blades as well as aperture aspect ratio. These can creating interesting effects if used in a stylistic manner. The main settings in the tutorial where Focus distance and Aperture size as there control how much of the scene is in focus and where in the z axes this area sits. Filter Map. Depth of Field 1. Aperture Blades : 3. Depth of Field 2.

Torran Rodgers, BA (Hons) Computer Animation Arts, UCA Rochester

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