Tool Kit 2: Sub Surface Scattering

This tutorial went trough the different textures that make up a material focusing on the use of Sub Surface scattering, before we added an AO pass in post using Photoshop, to add to the realism of our piece. The set up for the material is good information and as you go through the tutorial you understand how each layer adds to the realism of a material in Maya. I had small problems with the strength of my displacement map and not being sure if its effect where taking effect and not destroying the modelling work that was done for the character.

Render.

Composition.

Comments

Major Final Submission Post

Major Final Submission Post Torran R Major Art Of by Torran Rodgers on Scribd https://torranrodgerscaa.blogspot.com/2022/05/major-reflective-statement.html

Major Script

Major Script A script was written if I was able to finish all the scenes, i would be aiming to bring this script into a reality, even through time did run out on making it, this outline was pivotal in production to show what was being mad and determined shortcuts like the design of my giant creature.

Major Creature 4 Texturing

Major Creature 4 Texturing The texturing process is one I enjoy and feel confident in because of this I was able to sit through the process in a few days and generate the outcome. I came back to these textures a few days later to darken the textures over all once I saw then in Arnold. I also increased the level of dirt in the textures as they looked to clean.

Torran Rodgers, BA (Hons) Computer Animation Arts, UCA Rochester

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