Major Creature 4 Perceived Pipeline

After completing the rig for creature 3 I learnt a lot about potential hiccups and snags for the process as such i will list the new process.

1. sculpt in zbrush

2. export low poly with zremesh guides from zbrush

3. fix issues in export in MAYA

4. rig and skin the topology

5. UV

6. Import low poly to zbrush and use sub-div's to generate new hi poly details.

7. Texture using normal generated from high poly sculpt.

Know how the generate the normal maps should save some time however i aim to save time with the retopology using Zbrushes zeremesher as a base.

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Major Final Submission Post

Major Final Submission Post Torran R Major Art Of by Torran Rodgers on Scribd https://torranrodgerscaa.blogspot.com/2022/05/major-reflective-statement.html

Major Creature 4 Texturing The texturing process is one I enjoy and feel confident in because of this I was able to sit through the process in a few days and generate the outcome. I came back to these textures a few days later to darken the textures over all once I saw then in Arnold. I also increased the level of dirt in the textures as they looked to clean.

Tool Kit 2: Physical Sky

Tool Kit 2: Physical Sky In this tutorial I learnt about the physical sky in Arnold and how it can be used to easily mimic time of day when rendering exterior shots for animations. Using a variation of elevation, Turbidity, intensity and Azimuth you can create the different angles of sky light you would see in real life. Other settings that can be used to push a stylistic approach include sun tint, sky tint and sun size. These can be used to create strange effects that are stylised and aren't meant to look photo real. Day1. Mid Day. Morning/Evening. Foggy Day. Stylised Lighting.

Torran Rodgers, BA (Hons) Computer Animation Arts, UCA Rochester

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