Major Creature 4 Walk Cycle and Reflection

Major Creature 4 Walk Cycle

Creature 4 reflection:

Creature 4 caused me a lot of problems due to its design when I came to skinning, the thick thigh's and high joints meant a lot of deformation but now I see the creature animated it was all worth it. its controls and mesh look and work well and I can see the potential to have good animations made this the rig. Many of the efforts I took to speed up the process of making this creature didn't help and instead caused problems, mainly the lower topology out of Zbrush and then the process of skinning the creature overall. I have found the part of MAYA I am least comfortable with and as such i will been to learn to be better doing it.

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Major Final Submission Post

Major Final Submission Post Torran R Major Art Of by Torran Rodgers on Scribd https://torranrodgerscaa.blogspot.com/2022/05/major-reflective-statement.html

Major Creature 4 Texturing

Major Creature 4 Texturing The texturing process is one I enjoy and feel confident in because of this I was able to sit through the process in a few days and generate the outcome. I came back to these textures a few days later to darken the textures over all once I saw then in Arnold. I also increased the level of dirt in the textures as they looked to clean.

Tool Kit 2: Physical Sky

Tool Kit 2: Physical Sky In this tutorial I learnt about the physical sky in Arnold and how it can be used to easily mimic time of day when rendering exterior shots for animations. Using a variation of elevation, Turbidity, intensity and Azimuth you can create the different angles of sky light you would see in real life. Other settings that can be used to push a stylistic approach include sun tint, sky tint and sun size. These can be used to create strange effects that are stylised and aren't meant to look photo real. Day1. Mid Day. Morning/Evening. Foggy Day. Stylised Lighting.

Torran Rodgers, BA (Hons) Computer Animation Arts, UCA Rochester

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