Major Creature 4 Skinning

I really struggled while skinning this creature, very often weights would move onto bones on the other side of the creature, this caused me to restart on 2 separate occasions. On top of this the thigh weighting was hard as it didn't have enough loops to deform on the body. As such there is some stretching in the area however it sound cause a problem as its out the way and makes some sense where it is.

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Major Final Submission Post

Major Final Submission Post Torran R Major Art Of by Torran Rodgers on Scribd https://torranrodgerscaa.blogspot.com/2022/05/major-reflective-statement.html

Major Creature 4 Texturing

Major Creature 4 Texturing The texturing process is one I enjoy and feel confident in because of this I was able to sit through the process in a few days and generate the outcome. I came back to these textures a few days later to darken the textures over all once I saw then in Arnold. I also increased the level of dirt in the textures as they looked to clean.

Tool Kit 2: Physical Sky

Tool Kit 2: Physical Sky In this tutorial I learnt about the physical sky in Arnold and how it can be used to easily mimic time of day when rendering exterior shots for animations. Using a variation of elevation, Turbidity, intensity and Azimuth you can create the different angles of sky light you would see in real life. Other settings that can be used to push a stylistic approach include sun tint, sky tint and sun size. These can be used to create strange effects that are stylised and aren't meant to look photo real. Day1. Mid Day. Morning/Evening. Foggy Day. Stylised Lighting.

Torran Rodgers, BA (Hons) Computer Animation Arts, UCA Rochester

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